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August 9, 2012

In Search of South Africa’s Eden

While I was building up my portfolio as an aspiring landscape photographer, I spent a lot of time admiring the work of certain American photographers. There was that one ecology in their portfolios that I had never seen in South Africa. Not with my eyes, in print or on the Internet. It was an element of nature that had a great attraction to me and I craved to experience and capture it. Rain Forest. Utopias of towering hardwood trees covered in moss that rise from a carpet of ferns and undergrowth. Branches draped in lichen and populated with Epiphytes like small villages living in the air, hanging above a network of bubbling mountain streams. Flora thriving at it’s full potential with unlimited resources and doing so as it has for thousands of years without the interference of man.

 

Unfortunately for me, South Africa doesn’t really have much temperate rainforest. If you say Forests to a South African, the first word that pops into their head is Knysna. That is about the average South African’s knowledge on where to find an indigenous forest. Apart from such common knowledge, even in many scientific articles on forests in South Africa, there is no mention of the place where I eventually found my Eden. Up until writing this I was also in belief of the common statistic that the European colonists destroyed more than 95% of the forests that existed prior to 1652. One article with a lot of substantiating facts tells a very different story, but I’m not writing about what used to be…this is about my quest for what still is.

The best shot I got from many vists to the Knysna forests

So where do you start if you’re looking for forests in South Africa? My starting point was my wise old father, who has a great knowledge of botany in South Africa. Unluckily there’s a very big gap between what the average person calls a beautiful forest and a photographer’s understanding of what will produce the shot he/she is looking for. While we (me and the old man) have made great progress at bridging that gap, he just gave me the typical Knysna answer and also said there’s great forests along the wild coast. Then it was on to the Internet and books, which also just yielded Knysna. After hearing that place’s name so many times, I was so irritated I didn’t even want to go check out the most obvious place!

 

I was on a trip in Mpumalanga in 2008 when my father randomly told me that a colleague of his lived in an old forestry station near Tzaneen. This colleague knew the area’s forests well and they had talked about these lush forests with thousands of Clivia as my father’s hobby was cultivating the flowers. Since Knysna had been drilled into my head and I had never heard of any forests near Tzaneen, I brushed off the suggestion and forgot about it.

 

Over the following three years I visited both the Knysna and Wild Coast forests and in both I wandered off the path and into the odd gorge/valley in search of proper green…without success. Even here at home I properly explored the valleys of Jonkershoek with some reward. I discovered the lesser known Tweede Waterval gorge. A narrow twisting tunnel that leads to a waterfall concealed by two large cascades. I found a few other worthwhile streams and forested valleys high up the slopes of the Jonkershoek Mountains, but they all lacked that magical green.

Second Waterfall Gorge in Jonkershoek

I might not have explored 2% of the forested valleys in the country, but I did do a fair amount of research and I did explore the results that my research yielded. Short of becoming a bushman and going to live in the Knysna forests for a year, I gave up on my search and added Oregon/Washington’s Colombia River Gorge to an already lengthy bucket list.

 

Then late in 2011, thanks to the source of all procrastination; Facebook, I had a breakthrough. One of my Facebook friends from the photographic industry had gone on a hike in Limpopo…near Tzaneen. As much as any other South African, he had not expected serious photographic potential and he only took a point and shoot camera along. He posted some photos from the hike and those snaps taken with a point and shoot revealed a secret I had stubbornly ignored 4 years ago. The photos showed typical Afromontane forest, but the elements that were missing in all the other locations were there. Thick green undergrowth, lichen hanging from tree branches, moss covered trunks, all enveloped in thick mist. I immediately contacted him to find out where it was and made it a top priority to get there.

magoebaskloof villiers steyn

One of Villiers Steyn's images from his hike that caught my attention. Click on the imageto go to his site.

Late in May this year I was finally on my way to Limpopo after a very dusty week at Khubu Island. I had done some research on the area prior to leaving the Cape two weeks earlier, but I had 7-10 days there so I had a lot of time to explore the area.

 

Someone had told me that there’s a very scenic 4×4 route through the forests and on my first morning I took a slow drive up the mentioned kloof. I saw the well-known Debengeni Falls and witnessed patchy bits of that magical green I was looking for along the drive. The end of the road brought me atop the escarpment again and I decided to explore the maze of forestry roads. The amount of turns, road forks and times that the scenery changes from plantation to forest are impossible to keep track of.

Magoebaskloof's Debengeni Falls

Somehow (after about two hours of driving) I found myself entering a section of forest with a sign stating that it is a protected indigenous forest, so I was hoping that it would be a large section. Up until that point I had only been going through patchy areas of forest left between the unsightly pine and eucalyptus aliens. Past the sign the light quickly faded as the forest wrapped around the road like a shrinking tunnel. The road descended a Northern slope and as it did I entered the mist that was hanging below the escarpment. The photographer in me got excited as I started seeing potential photographs of trees and lichen disappearing in the mist, but just as my hopes started climbing I saw (ironically) the light at the end of tunnel – plantation.  My heart sank, but my eye caught a slightly overgrown road cutting away downwards into a similar dark tunnel. I followed this road and the exact same thing happened. Just before the forest turned to plantation, a road would lead off downwards into the forest again. With each of these turns, the road became more overgrown and full of spider webs. Signs that few people ever get there. I wanted to stop and shoot, but I kept telling myself I have plenty of time and that the first day is a reccy. See the whole area and shoot it systematically as the weather dictates. The ever-downward sloping road suddenly leveled out and what I had been in pursuit of for almost 5 years unfolded before my eyes. Whatever the culmination of geographic circumstances created on that small plateau on the escarpment, it created the superfluous green I wanted.

Looking up a small valley stream

I pulled off the road where I could, got my gear and popped the polarizer on the lens to capture those amazing greens. The mist limited visibility to about 25 meters, so apart from that 25 meters in front of me I never really knew where I was headed. The main problem was that the forest was too dense. There were no open spots to take a photo and the going was slow. Every 2nd tree was bursting with a ‘colony’ of Clivia, many of which had ‘trunks’ that revealed them to be decades old. They were flourishing better than the most coddled prize winning plants, but without any of the fertilizers, special soils or hours of weekly attention that the breeders give them. Seeing these plants that I was so familiar with in the wild, instead of in a pot or in a garden was a revelation. The stopping and staring wasn’t helping my progress of finding the perfect photo, but If there was ever a time to pause and appreciate nature, this was it.

Clivia perched atop a tree in the forests

After about 30 minutes in, the slope descended slightly before leveling off. Once again, I don’t quite know what the circumstances were, but I got lucky. I had found the ideal spot. The forest looked like the interior of a building, with walls of trees leading into open chambers of lush fern undergrowth. There was the odd dead tree strewn about, covered in moss and smaller ferns. Now I had found exactly what I was looking for. Little light penetrated the mist and forest canopy…even at f/8 and ISO200 my exposure time was over a second. The wind was blowing quite strongly, but every few minutes it would die down as if catching its breath and then I had to capture the moment. When the wind slowly picked up again, it swept the mist away and the entire forest appeared out of the cold white. In an instant a gust would blow it back through the forest like an approaching wall of disguise, concealing the secrets of the woodland. For what seemed like an eternity, I forgot about my camera. I just stood frozen by the contentment of what I had finally found. Watching that mist sweeping in and out of the trees was an experience rivaled only by the view from atop the amphitheater wall.

Foliage blurred by the wind sweeping banks of mist through the forest

After about 3 hours of crawling and climbing through the vegetation, the mist lifted and I headed back to my car.

 

Over the next few days I identified a few more spots that might produce the same circumstances and two of them paid off. Even after driving as close as possible to the potential places, getting into the heart of the forest on foot wasn’t easy. It usually required the descent or ascent of very steep slopes. ‘Wading’ through 1.5m-high undergrowth and trying not to imagine what could be hiding below it. At the time of writing this (10 weeks later) I still have bite marks on my legs from whatever lived in those forests. After my adventures I got the flu, which then turned out to be tick fever. After a blood test it was confirmed as tick fever AND malaria, caught before it started doing damage luckily.

Two ancient trees rising into the mist side by side

I finally achieved my goal to photograph a properly green indigenous forest. The fact that I couldn’t find one probably escalated my need to do so and drove me 2000km away from home to go look for it. Without deliberately doing so I  ‘discovered’ (within the photographic community at least) a prime photographic ecology that most people thought didn’t exist in South Africa. It took five years, over 10000km of travels and contracting Malaria, but that has made me appreciate it ten times more than I would have.

 

For the sake of conservation the exact location of these forests will remain with me, but there are clues within the article that can get a reader close enough. From there you will have to get lost on the forestry roads as I did and go crawling through the forests to see what I did. To those who rejoice in the surrounds of untouched, thriving nature, it will be worth it. To those who lack the respect to conserve the few patches of pristine forest in our country, it will hopefully forever remain out of sight.

Magoebaskloof Moss Trees

Tree trunks covered in lichen

You can view more images in my Magoebaskloof Gallery on my website. Bookings and details for a workshop to Blyde River Canyon, Mariepskop and Magoebaskloof will be available on Sunday.

 

April 29, 2012

Namibia Workshop 2013

Bookings for the 2013 Namibia workshop are now open. There is a slight, but very nice change from the last two years. We’re adding the spectacular Fish River Canyon lodge to the list of destinations, lengthening the workshop by 1 more night to 8 nights.

The workshop will kick off with 3 nights in the Namib Rand on the 16th of March. After that we’ll head South to the Fish River Canyon for 2 nights and then finish off with 3 nights at Sossusvlei.

 

Dates: 16-24 March 2013

Cost: R24950.00 pp sharing

Single Supplement: R3200.00

 

To book or enquire about more info, simply send me a mail at hougaard@hougaardmalan.com or call me on 0762792202

 

Close outside the Sossusvlei Lodge

Fish River Canyon

The Namib Rand

Deadvlei

Filed under: News — Tags: , , , , , , , , , , — Hougaard Malan @ 8:42 pm

April 9, 2012

After the Rain: Preview of Namibia 2012

Going into Namibia this year, I knew not to expect a repeat of last year’s amazing rain and skies. It was a freak year in which most of the country got three to four times its annual rainfall. Each day ended with near black thunderstorm skies turning to flaming reds and giving way to endless displays of lightning. The photographic opportunities were indescribable and over a total of about 3 weeks spent there on two trips I got some of my best work yet. I knew I had been spoiled and that I needed to tone down my expectations, but some small hope in me obviously wished for those dark skies again.

Spitzkoppe under a stormy afternoon sky

My first destination was the famous Spitzkoppe mountains, a spine of granite mountain peaks protruding from a plateau like a set of jagged teeth. It’s one of the most iconic landscapes in Namibia and I had 6 nights to try and do it some photographic justice. The weather forecast looked good: rain showers most afternoons. After arriving and setting up camp I spent the most of the first day just exploring the location for potential compositions. Photos of Spitzkoppe are very common in all tourism related media of Namibia and I thought I had seen most angles of the place. Upon some exploration I was surprised at the vast amount of possible foregrounds and compositions dotted around the main mountains. Iconic arch apart, there were so many rock pools, rock patterns, grass fields, trees, boulders etc. that I was very confused about where to start.

Interesting play of light and shadow created as the last sunlight fades from the lower part of the arch

I decided to kick off with the iconic arch shots, and then move on to something more unique. After 4 days I had gotten a satisfying amount of material of the location and while I never got a proper storm at sunset, I certainly couldn’t complain about the light I had. For a first visit to the place I was very happy and I decided to head to the coast for a well-deserved break from climbing up and down granite ‘hills’. I had four days to kill before the C4 workshop kicked off in the Rand and I thought I’d make a decision on where to go over a cold drink and the sound of the waves in Henties Bay. While there I made the decision that while I don’t really want typical photos of Sossus- and Deadvlei, for business reasons it was a necessity in my portfolio.

Cliche Deadvlei

I spent three days at Sesriem, but I still don’t have any stories of revelation or inspiration about the place. I had one good sunset and one good sunrise so I got the shots I wanted. I already knew all the typical wide angle compositions at Deadvlei so it was simply a matter of moving the tripod around and getting the shots. The one morning we arrived to find a British group of about 15 photographers already shooting. ‘We’ were another 4, and as the sun climbed I think about another 10 arrived. There were more tripods than trees and it was impossible to get a shot without someone in it. Luckily the skies were cloudless so I had a nap on the side of the pan while the masses bustled about in each other’s compositions. It’s a place that still fails to touch me, or maybe I fail to connect with it??

The mist cleared for a few minutes, allowing soft light through slatted ceilings

 

The next 7 days followed with the C4 workshop of which 4 days were on the farm Excelsior in the Namib Rand and 3 days were at Sossusvlei. The weather was good and we had very flexible hours at Sossusvlei which allowed our clients to get some great photos. The strenuous hours and long walks were a bit of a shock to some of the clients, but they quickly adapted to the desert! We had a good rest on the last morning and spent the last night well into darkness shooting stars in deadvlei. The group tried a few static milky way shots with light painted trees and ended things with a 32 minute star trail exposure that came out brilliant. I ached to get the night sky photos myself, but I’ll return at a later stage to attempt something unique.

Ghost rain lights up in flaming sunset light

After the workshop, I and a client traveled on to the ghost town of Kolmanskop, a location that was a complete block to me last year. It was a bucket list location for Jill and I think her ambition to get great shots influenced me to give it another proper try after failing so miserably last year. I studied a few images of Kolmanskop in the run-up to my trip and learnt quite a few things from them. Armed with this new knowledge, me and Jill were psyched to shoot the iconic ghost town. On both mornings conditions were very misty which not only cast beautiful soft light into the buildings, but kept things pleasantly cool. Without really noticing it, we shot nonstop for 5 hours on the first morning and the second morning went similar. After those two days we were both very satisfied with our results and it was time to carry on to Fish River Canyon.

Rain falls over the Nubib mountains beyond the plains of Dina

The Fish River Lodge is definitely my favorite lodge in Namibia. Everything from the location to the service to the architecture is astounding and I often end up just relaxing more than shooting. As with the rest of the trip, the weather wasn’t amazing, but it certainly wasn’t bad. I got some new photos to go home with. The potential of the place is however much greater than I’ve ever seen in any photo, but you need a pretty rare synchronization of weather elements to get killer light over the canyon at the right time.

15 degree winter weather at Luderitz was a welcome relief from 40+ degree days at Sossusvlei

It was a successful three weeks, but I’d be lying if I said it was as special as last year. Most places were definitely easier to shoot after having been there before, but then they were also less exciting. I can’t wait to get back next year and experience the place again. The magic of Namibia never fails to refresh the mind and satisfy one’s craving for excellent photography. Even when I say that it wasn’t as special, you can see from the photos that it was still an absolute feast of top class photographic opportunities…and this is about 1/5th of the work I’ve deemed worthy of being processed to go into my portfolio.

Excelsior's chocolate mountain below a dramatic afternoon sky

2013 workshops

Bookings will open in the coming weeks and there will be a slight variation on last year. The one workshop will be 4 days Namib Rand, 2 days Fish River Canyon, 2 days Sossusvlei and on the other date Fish River Canyon will be substituted for Kolmanskop/Luderitz. Both will be in March next year and the price will be roughly R20000-R25000 ($3000-$4000) with about 15 places available between the two. Watch this space!

 

Beautiful side lighting from a window brings out the ripples in the sand

Photograph Namibia Guides

 

These have both been removed from my blog. I am in the process of turning them into e-books which will be much more content rich and precise and available for purchase at a small price.

 

Afternoon sunlight on the Fish River Canyon

 

 

 

January 12, 2012

New Year, New Photos, Hopefully a Canon 1Dx…

As the new year kicks off and I look back on what I did or didn’t achieve in 2011 I certainly have mixed feelings. Some goals were achieved, some were surpassed and some were miserably abandoned!

On the photography side I feel quite stoked though. I saw and photographed many amazing places in S.A and Namibia. Good business removed any doubts I had about pursuing this career. I got a 4×4 vehicle which has opened many of Southern Africa’s very best landscapes up to me. I was planning to leave on a 5 week trip at the end of this month, but I’m involved in certain publishing projects that require a lot of shooting close to home.

I also came to the stupidly obvious realization that I live in the cradle of one of South Africa’s most amazing mountain ranges. A treasure chest of towering granite peaks that have barely been photographed. I feel extremely ambitious to get serious about hiking this year in an attempt to create a portfolio of the Cape’s mountains that might some day be compared to John Hone’s work of the Drakensberg. There are many places on my destination list this year, but my top priority is to find my way around the Cape mountains’ best hiking routes so that I’m prepared for misty Autumn sunrises,  Winter snow and Spring flowers. Other places I long to visit are the Richtersveld, Drakensberg, Kubu Island, Pondoland and Lesotho. I’ll be spending About three weeks at Namibia’s best locations again this year hosting workshops and some shooting by myself.

 

Workshops

I’m excited to announce that I’ll be working with the legendary Chris Fallows this year to offer his clients landscape add-ons when they come to shoot great white’s sharks with his company. There is still one spot left on the C4 Namibia workshop from 18-25 March. It’s truly the ultimate landscape photography experience in Africa. We’ve got special access permits for Sossusvlei and the whole of Excelsior farm in the Namib Rand to our self.

If you can’t take 10 days off to make it to Namibia, check out my seascape workshop for Cape Town in April. An easy and convenient learning experience with some of the best seascapes in the country to shoot while learning. I will advertise a similar Gauteng workshop shortly, but a lot of the learning lies in shooting a photogenic landscape, which Gauteng doesnt have. Coming down to Cape Town for the weekend will be a much better learning experience. I would appreciate if any people interested in a Gauteng workshop similar to the Cape Town one would be interested? Just mail me or comment here!

 

Tutorials??

Part two of the Namibia guide will be published next week. I’ve run dry with ideas for tutorials so if there’s a specific field or Photoshop trick that someone is interested in then they’re welcome to shoot with suggestions! Just comment below :)

 

An Exciting Year Ahead

The whole photographic industry is on the edge of it’s chair to see the the 1Dx and D4 in action and for the release of the D800 and 5D III. Technology is advancing and I can’t wait to get one of these new cameras and see how they will help me improve my photography! I’ll end of with some recent images from the Cape.

Filed under: News — Tags: , , , , , , , , , — Hougaard Malan @ 4:53 pm

December 6, 2010

Hole in the Wall

Along the whole of the South African coastline there are three geographical wonders that stand out in the photographer’s mind. The first is of course Table Mountain, the second is the mountains of Kogelbay. The last one which is the most unique and remote is the Hole in the Wall. EsiKhaleni, as the Xhosa people call it, means ‘The place of Sound’. It has earned this name from the rumble caused by waves crashing on the inside of the hole. What used to be part of a coastal cliff is now a free standing rock spine with a tunnel carved through the middle. It is not only the Hole in the Wall itself that makes this location such a photographer’s paradise, but the surrounds. The Mpako River cuts through the foothills of the wild coast and forms its mouth around this cliff. On either bank of the river there are ancient indigenous forests, pebble beaches, sand beaches and dramatic rock shelves. With such a plethora of options to use as foregrounds to lead the eye to the dramatic feature at the centre of the image, one could spend weeks and still get something interestingly diverse every day.

C4 Images and Safaris 2011 Hole in the wall workshop – limited space available!

Kogelbay

Table Mountain

2nd morning

I had 5 nights booked there and it was to be my first visit to this iconic landscape. Over 5 nights I had a potential 10 shoots so I was confident that the results would be nothing short of stunning, but I was in for a surprise…

On the day of arrival I travelled from Kenton-on-sea, which meant about 350km to the turn off on the N2, which I reached at about 3pm in the afternoon. I had stopped at a friend in East London and he advised me of two things. The first one was that I was going at the completely wrong time of the year and the second one I was about to find out. I got to the N2 turn off at about 3pm and with only 70km between me and my destination I reckoned I would get there at 5pm and have plenty of time to shoot sunset. The first 20km was newly paved, unpainted road…but then I reached the infamous piece of road that everyone had warned me about. It was indeed as Marius had put it: ‘it’s not so much the potholes that are the problem, but the patches of paved road in between’.

First light with a crescent moon on the last morning

The average travelling speed for a distance of 40km is about 20-30km/h, lanes are an absolutely illogical concept and it’s a bit like driving an obstacle course. To add to the ‘fun’, I was driving in mist with less than 10m visibility. After about 90 minutes on that road I finally reached the coffee bay/HITW fork and I was greeted by a brand new road. That was again short lived because from there I had to take the turn off on to a dirt road to get to my destination. This road was certainly better than the pothole run, but it had two or three decent hills which had turned to mudslides with the rain…not very comforting when you don’t have a 4×4 vehicle. I did eventually reach my destination after a bit of uncomfortable fun in the mud. Only to discover yet another surprise. My accommodation was about 5-6km away from the actual HITW. I didn’t know if I could get there by foot on the oceanfront and I didn’t want to walk through all the Xhosa villages in dark.

The last color on the last morning as I scrambled about for compositions

The classic stock image of HITW

I couldn’t shoot the first sunrise because I didn’t know my way around, so I decided to enjoy a good night’s sleep and then do some decent composition exploration the following day. I got a Xhosa gillie to show me around and he led me on an ocean front path that took about 20 minutes to get to HITW. As I mentioned in the second paragraph, it is an absolute feast of perfect foregrounds. Composing images are a bit tricky though as HITW is hard to get on any sort of prominent third and tide levels play a large role. I spent about 4 hours exploring the options from the forests on the left all the way to the hills on the right before I felt that I had gotten a decent feel for the possibilities. The sunset was in no way worth shooting, but I was excited as I still had another seven twilight shoots ahead.

That evening's light was good...in the wrong direction!

The next morning was absolutely cloudless, but the color was good. Once the sun had risen a mist bank rolled in and it offered me an opportunity to get a decent high contrast long exposure image. The sunset that day was flat flat flat gray light, but I still had another 5 shoots left and morale was still high. The following morning I got an identical gray sunrise, but things cleared up to the afternoon and I had some fun with the cows who were catching a tan on the beach. I set off from my chalet towards HITW at about 5pm and I was very excited to see massive cumulonimbus clouds to the east, but they never got any closer and sunset was disappointing.

sunbathing cows

The storm clouds that never arrived in time for sunset

The weather forecast showed rain for the evening and following two days and indeed it arrived in the form of an impressive electrical storm later that night. Trying to capture it was pointless though as the rain made it impossible. The 2nd last day was again just flat and gray and I was considering leaving for the Drakensberg a day early, but I had already paid and decided to take a break from the early mornings.

I had absolutely no hopes for the next morning as the weather forecast predicted rain, but I set my alarm anyway to see if my luck hadn’t turned a bit. I got up at 3am and looked outside to see a crescent moon rising behind an impressive layer of high clouds and my heart jumped. I had some coffee and coco pops, the perfect way to start the day and I hit the foot path to HITW. I have no problem walking through the misty forests 2 hours before sunrise as long as I can keep flashes of classic Stephen King movies out of my mind, but I have extreme ranidaphobia. I HATE FROGS. The pathway was full of them in every available size, so I was walking the grassy footpath as I had driven the pothole endurance course. Despite my caution I stepped on a frog the size of my palm and as I did it jumped against my other leg, which resulted in a very high pitch yelp and a jump, but I survived the frog’s offensive to keep me from my destination and an excellent sunrise.

2nd morning after the fog had rolled in

I started shooting the cliffs to left of HITW and as the light peaked I stumbled about trying to get as much as possible instead of focusing on one composition. It’s not my preferred way of shooting, but I had to get results to take home and in retrospect I think it was the better choice. I left for the Drakensberg well rested, but slightly dissapointed.

The last morning as the light peaked. My vain attempt at getting some 3rds structure going

I’m not sure which point I got across, but my point is that it’s an amazing place and even with the worst of weather you can still get amazing results with little effort. I can’t wait to get back there and the next visit will be in May, when apparently the weather is at its best. Even if you’re not taking photos, it’s an amazing place just for relaxing and taking in nature. The forests, perfect beaches and eerie mist give it a unique atmosphere and I’ll definitely be going for a good 10 days next year. Safety is absolutely no issue and one can comfortably enjoy the surrounds at any time.

C4 Images and Safaris 2011 Hole in the wall workshop – limited space available!

The Corridor

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